The UFO Iconoclast(s)

Tuesday, May 08, 2007

William Shakespeare and UFOs

shakespeare.jpg

Did the Bard see a UFO (or anything like it)? Not as far as we can tell from his oeuvre.

So what has he to do with the UFO phenomenon?

The mystery of Shakespeare (Did he actually write the works attributed to him, or were they penned by another, or others?) is analogous to the UFO mystery (Are UFOs the product of one alien presence or the product of many alien intrusions, some paranormalistic?)….

Shakespeare’s plays, and poetry, seem foreign to the life of the gentleman farmer; he didn’t seem to have the sophistication or intellect that the plays portray.

UFOs are a bizarre phenomenon, to say the least, but are they one phenomenon or many? Or are the interpretations bifurcated rather than the phenomenon itself?

The inconsistency of style and content in Shakespeare cause scholars to attribute the plays to his contemporaries, some afraid to produce them for fear of royal retribution because of the content, and some to provide creative posturings that wouldn’t affect their status in Elizabethan society: Christopher Marlowe, Edward de Vere, Sir Walter Raleigh, Francis Bacon, et alii.

UFOs present a similar dilemma. Do they represent one reality, or many realities?

Those familiar with the phenomenon know that UFOs showed up in ancient times under guises that were familiar to those witnessing them: chariots of fire, clouds of lights, shields of war, and so on.

Those could have been the disguises of the UFOs themselves or the interpretive attempts of those who saw them.

In the modern era, one finds the airships of the late 1800s, then lights following war aircraft (foo fighters) and ghost rockets after the war, with the crescent-shaped craft of Kenneth Arnold, and flying disks of all kinds from them on, intermingled with cigar-shaped craft, weird lights in the night skies, landed craft of various design, and lately triangular flying machines (among other configurations).

Some of the appearances show sophisticate design, while others show primitive design, if any design at all.

Shakespeare’s plays appeared similarly. Some sophisticated, some bizarre, and some almost primitive in style: Hamlet, Macbeth, King Lear, The Tempest, Titus Andronicus, Troilus and Cressida, Cymbeline, King John, et cetera.

The poetry was homoerotic. Shakespeare was not.

UFO abductions have sexual overtones, some are benign.

UFOs, like Shakespeare’s plays, are all over the place, and thus both UFOs and Shakespeare present similar problems for scholars, assuming there are some UFO scholars of course.

What are the sources or source for Shakespeare’s output? Surely it couldn’t be the folksy man from Stratford-on-Avon.

What are the sources or source of UFOs? Certainly it can’t be the U.S. military, alone.

But UFOs could be the product of a malevolent (or playful) alien race, just one with chameleon-like abilities they employ to deceive mankind, for who knows what reason, or the products of many extraterrestrial races.

Either way, just as with the Shakespeare conundrum, UFOs may never be resolved one way or another.

That’s the fun of them…and that’s all it is….fun.

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